The right hand then raises the sword overhead while the left hand takes its place on the hilt, thus entering in the jōdan stance or kamae. Unlike in Musō Jikiden Eishin-ryū, the sword does not fall off behind the back but always stays over shoulder height. The movement resembles a thrust to the rear. Both arts also differ from many other iaijutsu schools in that the kiai is performed silently, without hassei (shouting).Īfter striking with one hand, primarily on nukitsuke (cutting as one draws the sword out), the sword is brought to a position about ten centimeters above the left shoulder, blade edge up, and with the point facing backwards. Among the most visible are the manner in which the furikaburi (raising the sword overhead, sometimes called furikamuri) and the nōtō (sheathing) are done. The kata from Musō Shinden-ryū have a number of differences from the kata of its sister art, Musō Jikiden Eishin-ryū. The name Musō Shinden-ryū most likely comes from the name given to the Shimomura branch by Hosokawa, Musō Shinden Eishin-ryū (無雙神傳英信流). Nakayama Hakudō studied under Hosokawa Yoshimasa, a master of the Shimomura branch (下村派) of Hasegawa Eishin-ryū, and Morimoto Tokumi, a fellow student of Ōe Masaji of the Tanimura branch (谷村派). Musō Shinden-ryū ( 夢想神伝流) is a style of sword-drawing art ( iaido) founded by Nakayama Hakudō (中山博道) in 1932.
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